British shapes in France

Stephane went along to a big 2nd hand board sale organised by the Surfrider Foundation of Europe, and found these classics, an Excalibur by Ted Deerhurst, and a Roger Cooper, both early mid 80s thrusters. The Deerhurst looks to have been made in Hawaii, shaped by Ted and glassed by John Orlando .It has a hot stuff decal but I'm not sure if this is the same as the Aussie Hot Stuffs. Both boards look to have been restored and in good condition. If the sale was in the UK Im sure the Excalibur would have been sold fast, such is the respect for Lord Ted and his legacy.

1978 ad from Surf magazine

Another interesting board, this time on French ebay, a Super Frog shaped by Danny Garland. This is pretty unusual and I wasnt aware of Danny shaping much in France - or possibly he made them in the UK and shipped them over  . He liked travelling so theres no reason why there arent Garland's in quite a few countries - he made boards in the US for a while . The board looks mid to late 70s, a similar time to his Space Gypsy's. White pigment on the deck with leash loop and a very colourful spray on the underside.
Stephane says ''Super Frog still exists. It was created in the 70s (1973) by Gerard Dabbadie ,now famous - he designed the first Bic and now still works for Bic. Dabbadie was also a very good French surfer :1975 European champion (I think it was difficult to defeat English surfers during this period). How has he met Danny Garland ?''

European measurements on the board.
Thanks to Stephane - http://vintagesurffrance.blogspot.co.uk/

Jolly Good quiver

 A dream 70s quiver - Johnny Manetta with Tris boards, artwork by Neil Wernham; and Jolly Good boards , shaped by Tigger with artwork by Hawaiian Nancy Dinmore. Fresh from the factory circa 1976.

And a pretty good place to test them out, one guy in the water and plenty of rides for everybody. photo taken in Mexico by Ron Stoner.

A few more Jolly Goods.

Nakedness on the internet

 Nakedness on the internet really is a problem, and I'm sure you share my feelings that these photos really are an affront to decency. Like you I'm only interested in the old boards.

Here's Laura Blears-Chang in a classic Playboy shoot riding her nice Lopez Bolt with no leash, no wax and no clothes. Back to basics.

Calypso by Bob Groves

Simon has recently found this Calypso in the Newquay area. Calypso was linked to Bob Groves, made for a Dorset sports shop, see card below, and made by Bob or in this case Mac. Probably Alan Macbride from Newquay. There has been another Calypso board on the blog - see

http://vintagesurfboardcollectoruk.blogspot.co.uk/search?q=calypso. Bob Groves has spent most of his time based around Bournemouth, and his labels have included Groves-Davies at the beginning, Infinity, Karisma, Litening Bolt, and has been a major blank supplier to UK shapers over the late 60s and 70s.
This board dates from around 1974, with deep swallowtail which became popular from '73, hand drawn logo, which became a printed logo later for the Calypso shop. A great condition old board and a good find.
Bob Groves says about the board - ''Nope, not one of mine. I only made a few boards for Reg at Calypso back in the 60s. Could it be Darryl Williams or Steve Brown ?''

Reg was BSA chairman in the late60s early 70s.

printed Calypso label on a Karisma board which also turned up in Newquay.

1968 Klemm Bell transitional Wayne Lynch style

The more I do this blog the more I realise there are a lot of old surfboards out there ! When I started the blog I imagined there must be a few hundred 60s and 70s boards surviving ; now i realise there are a few thousand - many yet to be discovered by us enthusiasts ( or mabye 60s throw backs might be a better term) ! I can think of around a thousand boards in known UK collections and the museum collection - and most surfers now have at least one old rider in their quiver. With that many boards still out there comes the chance of finding some real stunners.
Although its not a UK board, this is in my eyes a stunner, which has been over here since 1968 or '69. Made by Klemm Bell in Victoria, Australia, probably in early 1968 its a great example of a transitional v-bottom pig - nicknamed a Stubbie in Oz - a short lived design in the evolution from longboards to shortboards in the late 60s. It was surfed around Newquay in 1969 and '70 as the registration stickers show. It has longboard style rail laps and a square of extra cloth on the deck for knee paddling. Dimensions are 8'3 x 23ins x 3 ins thick, mabye a bit more on the deep v, and a lot less on the slim rails.

Its also a very interesting board because it is a near copy of the board local Victoria surfer and 'Golden child' Wayne Lynch was making and riding at the time, and famously rode in Paul Witzig's film Evolution. Wayne rode the board in France during filming in '68 in memorable scenes at Le Barre and other French spots, with mindblowing style and moves , revolutionising backhand surfing , taking switchstance barrels, roundhouse cutbacks -check out Evolution some time.
Wayne did actually shape for Klemm Bell in 1971. Whether he actually shaped this is a long shot as its not signed ; but its definitely linked shape wise, and with the double logo which Lynch put on his board, thick black outline on the underside, and long raked flexfin (14 inches high !). The board is stringerless, but has a tartan ribbon under the glassing on the underside.

Wayne rides at least seven different boards in Evolution, which shows the fast pace boards were being experimented with. By 1969 the v bottom was history. Tony Cope wrote on seeing the board - ''the sister to the board Wayne Lynch had in France in 1968 and appears in Evolution  ......Wayne from Lorne, Victoria of course ( same area as Klemm Bell) . The same board we copied at Westcoast (in Woolacombe) and went just great in GB slop due to its shape/width. THE board to have until Keith Paull came across with his Bing foil.''
''The Lynchy Evolution board was a Wayne Lynch Involvment model by John Arnold surfboards in South Australia. Wayne had a close association with John Arnold in the late 60s. Like many surf crew in Torquay Wayne's earliest shaping efforts were at Fred Pyke's factory in Boston Road, Torquay. Wayne's first shaping effort carried a Pyke logo and some pretty trippy artwork by Simon Buttenshaw. In 1970 Wayne started riding some Pat Morgan keel finned boards as well as continung to refine his own shaping skills.'' Craig Baird, curator, Surfworld Museum, Torquay, Aus.

The previous owner of the board was Brett, who was given it around 25 years ago by a friend in London. This friend was originally given it as a birthday present from his girlfriend but being based in London he only ever used it a couple of times.

Wayne Lynch Evolution board recent recreation, shaped by Wayne in limited numbers.

The important things in life - paisley v-bottoms and Holden surfwagons. Ad from the 1968 Bell's comp. programme, sent in by Craig Baird.

The factory was run by Terry Klemm and Reg Bell, Williamstown Victoria until the factory burnt down in 1967, and relocated to Gardenvale, Melbourne. This board has Williamstown on the logo so it could have been made late'67 or mabye it was an old logo used in 68.

Extreme Greenough 14 inch flex fin next to an fcs fin for scale ! The fin flexes easily by hand, and was designed to bend going into a turn and spring back to power you out of the turn. The harder the turn the more stress fractures appeared on your fin..

v-bottom, originally designed by Bob McTavish and took the surfing world by storm - for about a year ! Went well in small to medium waves, struggled in Hawaii.

Chris Ash's Westcoast Wayne Lynch copy. Again a pig shape with wide tail, raked fin and thick black pinlines.

Tony at Boscombe pier on his Wayne Lynch copy . As Tony says of this and Chris Ash's Westcoast compared with WL- ''All same shape boards, but surf & surfers at opposite poles !''

Endless Summer exhibition on Spotlight last night

Alex interviewed and a 1969 surf film rediscovered

Bill Bailey longboard

 The Surfing Museum had a hell of a score this week when it was donated a very rare and important Bill Bailey longboard. Made in Newquay around 1963 or 64, this predates Bilbo, and along with Bob Head's Friendly Bear longboards are the earliest logo'd Malibu's made in Newquay . I have never seen one of these early boards of Bill's before, and never knew if they had a logo or how professional his output was, but on seeing this board I can see he was producing good quality shapes.Theres quite a lot of bleed on the red stripes so have they been repainted since or was the board finished in a rush ?  I have yet to see a Friendly Bear ...

 The guy who donated the board

 Bill, and below with Doug Wilson.

Interview with Tigger Newling

A look back at Tigger's formative years surfing and shaping, by Alex Williams

Q: a list of who you learnt from, who worked with you or you collaborated with and anybody that went on to do there own thing? or work with others?

Top Kiwi board makers Terry Lysaght and Roger Land taught me the craft of board making when I first set up Tig surfboards in 1967.  

In Australia for the World Titles in 1970, I was impressed by the designs of Wayne Lynch, and Terry Fitzgerald. My Aussie influenced shapes were produced under the Tigger Newling Surfboards logo and included the board I rode to victory in the British Titles in 1973. 

In Hawaii, Gerry Lopez, Tom Parrish and Dick Brewer influenced my shaping once I returned to Cornwall and started making Jolly Good Surfboards in 1975. These boards featured artwork from Hawaiian Nancy Dinmore, and were shaped on St Merryn Airfield by me and finished at Porthtowan in collaboration with Tris Cokes and John Manetta at Tris Surfboards.

 Tigger at Porthleven ,1975. Photo Dave Weight

Q: On the interview side, I wanted to sort of find out how it was in those early years, of seeing shapes when you traveled and putting them into practice back at home Trials & Tribulations?

Phase 1 Tig Surfboards

Proud to be a backyarder

I started making boards under the label TIG Surfboards, in 1968. It was a real 'backyard' operation.

The short board revolution had just hit, and I was itching to try the new shapes I had seen in Australian surf magazines and films like Paul Witzig's 'Evolution'. Because established local board builders were slow to produce short boards - 'its just a fad that won't last'… and I couldn't afford to buy a new board every other week anyway, I decided to do it myself in my back yard at Treyarnon Bay. My father let me use the greenhouse. So I pulled out his prized tomatoes, and started shaping.

On my own track

The first boards I shaped were 8 foot long,  then as the short board revolution gathered momentum, every board I shaped got shorter than the previous one eventually they ended up around six foot long. At first I copied Bob McTavish's Australian designs: tear drop shaped 'trackers', with deep vee bottoms and big Greenough fins. The boards that Wayne Lynch and Nat Young were then riding. But as soon as I surfed these crude copies I had shaped, I needed to get back in the shaping room and make modifications and refinements to improve them. Soon I was embarked on my own unique design track that was driven by how my designs performed in the water.  Surfboard building was turning out to be my dream job - combining rocket scientist and test pilot!

Charles Williams and Tigger with contest spoils, late 60s

Recycled prototypes

At first, Tig Surfboards was not a proper job - just a creative hobby. I was just happy to be making new boards for myself and my family. However, thanks to all the keen young local surfers, I kept selling my discarded prototypes at prices that easily covered my costs. Pretty soon I seemed to be surfing with a flotilla of not just family but also a crew of local grommets all happily ripping on my cast-off shapes. Next I was being asked to make boards for older locals and holiday makers, so Tig Surfboards started showing a profit. I bought myself a VW Kombi and headed to Morocco on the proceeds.

The next summer I was busy enough to employ staff: Shaper Roger Land and Laminator Terry Lysaght were both very experienced kiwi board builders who somehow put up with a very green 18 year old boss. One afternoon we posed for our first publicity shot. It was inspired by Pink Floyd's Ummagumma album cover (designed by Hypgnosis). The one where all the band's gear is laid out on a runway. We emptied the greenhouse and laid all the tools and templates out on the lawn along with some boards and a pair of trousers which were so encrusted with resin that they stood up by themselves . The three of us standing there covered in dust - a true start-up cottage industry.

Tig publicity shot 1970

The Warp Factor

There were trials and tribulations though: board surfblanks in the rough shape of surfboards were not available at the beginning, so I had to use blocks of industrial insulation foam. Getting the right bottom curve to stay in the board was a nightmare. One disastrous board slowly warped until it had a pronounced "negative rocker" where the nose curved down into the water instead of up. To his credit, my mate Jo Partridge somehow mastered this seriously flawed design. Stringers solved the warp factor, and soon my dad decided to clear out the potting shed and start his own business 'blowing' surf blanks. It was so much better shaping proper blanks with a nice curve maintained by a wooden stringer, even if my power plane struck voids like swiss cheese.

 The Newling clan, 1969, from Observer magazine

Phase 2 - Tigger Newling Surfboards

After a period 'in exile' from Cornwall working in a recording studio in London, then studying Building at Bristol Polytechnic, I gave up all pretence at getting trained for a 'proper' job and returned to the bohemian life of surfboard building and competitive surfing. This time I hit the jackpot, winning the 1973 British Championships convincingly on one of my own shapes. I was riding a 6'6" x19" rounded pintail I had shaped, and it performed perfectly in the big, hollow waves at Freshwater West in Pembroke. The board sported a new logo I designed: 'Tigger Newling Surfboards' surrounding an impossible triangle graphic, signalling a new phase in my surfboard building. Leaving my dad's greenhouse behind I set up a new factory on St Merryn Airfield - a disused World War II airbase owned by Bob Partridge, a local farmer. St Merryn Airfield was a ghost  town which other local board makers like Space Gypsy and Fluid Juice would discover too in later years.  Bob was an easy going landlord, but his hobby was flying and after surviving several terrifying landings on the broken tarmac runway I quickly learnt to politely turn down his invitations to join him for a few 'circuits and bumps' in his light plane. My 'Tigger Newling Surfboards' phase ended when I left Cornwall in January 1975 to take up an invitation to compete in the Hang Ten American Pro at Sunset Beach in Hawaii. I nearly missed my flight after spending 20 minutes trying to fit my 8 foot big wave board inside a London Cab on my way to Heathrow.

Phase 3 Jolly Good Surfboards

My third phase of surfboard building was a co-operative effort with Tris Surfboards and was influenced by my trip to Hawaii in 1975. My experience in Hawaii included working for Gerry Lopez at Lightning Bolt on Maui where they had successfully decentralised the process of making boards. It was common for shapers to work in their own workshops often in a shed in their own back yard, then take the shaped foam blanks to another factory where they were finished. I tried this idea, shaping in the old chapel building on St Merryn Airfield, and then transporting the blanks down to be laminated by John Manetta and finished by the crew at Tris Surfboards in Porthtowan. Another Island-Style look to many these boards was provided by Nancy Dinmore, a visiting Hawaiian artist who created unique airbrush designs on many of these boards. The logo changed again, my school friend Nick Kavanagh who had accompanied me to Ireland on my first overseas surf safari in 1966, created a great logo featuring two hands clasping that looked like it came out of the Beano. Tris and my favourite comic. With a gently satirical salute to British culture, we called them Jolly Good Surfboards. 

Tigger shaping Jolly Goods at the St Merryn factory 

Surfing in The Sixties

Surfing in those early years in Cornwall was an amazing adventure which built a real camaraderie amongst us all.  Instead of trying to avoid other surfers, you were looking for someone to go surfing with. The locals were a tribe who shared something unique and when travelling surfers visited Cornwall, they got the royal treatment from local surfers. It was an inspiration to share local Cornish waves with visiting overseas surf stars like Bob Cooper, Keith Paull, Twizzle, Goody, and Corky Carroll. 

During The Sixties everything changed - even surfboards. Heavy, long malibus morphed into Plastic Fantastic Vee Bottoms. Every surf magazine you opened in the 60s brought a radical new design. Even today, surviving examples of those revolutionary 60s surfboards are treasured by collectors and retro enthusiasts.

 At the English nationals, 1969

Surf Spots I pioneered

I had some epic uncrowded sessions at Mundaca after discovering the river mouth left near Guernica in The Basque Country with Roger Mansfield and Bobby Male in the 60s. In Cornwall, I first surfed Porthleven on a longboard in about 1966 when it was still a secret spot, and loved that reef so much I surfed it every opportunity. Around 1973, under the urging of film-maker Rod Sumpter, I paddled out alone in winter and dropped into several 20 foot plus Cribbar waves off Fistral - a near death experience. I was always on the lookout for new spots. The stretch of Cornish coast from The Padstow Estuary to Bude being a rich hunting ground starting with Daymer Bay and progressing North through Spot X and other breaks still too secret to reveal!

 At Manly, en route to World championships at Bells, 1970 , with Graham Nile

Q: the group you surfed with, your piers and friend that may have influenced you direction?

I belonged to two groups. Living at Treyarnon Bay,  I belonged first to The Trevose Head Crew, then after a stint studying at Camborne Tech in 1968, I was adopted by the Porthtowan Crew as a visiting member. Both groups were packed with colourful characters. I surfed Treyarnon, Constantine and Boobys with my extended family, Petroc, Slim, Sprout, Mike Dodd, Jo Partridge, the surfing grandmother - Nan Shliffke and South Coasters Graham and John Nile, Steve Daniel and Surf Photographer Alex Williams. Porthtowan and St Agnes surfers included Tris Cokes, John Manetta, Neil Wernham, T-Paul Thomas, Derek, Gareth Kent, Chris Clay, Steve Bunt, and his mate Steven Jones (I am sorry to say Steven inherited my clapped out Citroen 2cv and all its mechanical problems!). I would also like to remember Mike Dodd, from Trevone and Paul 'Ju' Jury from Widemouth - two late great surfing mates of mine.

 Tigger has lived in Australia for many years, and still competes succesfully and with style. This is him at a comp earlier this year, photo Alex Williams.